Recording Using a Vocal Chain in Cakewalk Sonar - Episode 101

This podcast episode dives into the world of vocal recording, specifically focusing on setting up and utilizing a vocal chain within Cakewalk Software. We'll cover essential plugins, microphone techniques, and how to achieve professional-sounding vocals. Whether you're a seasoned audio engineer or just starting out, this episode provides practical tips and insights to elevate your vocal recordings.
Tap back in next week as we go deeper into this conversation.
Please like and subscribe to all of our networks.
https://www.notjustmusicpodcast.com
WEBVTT
00:00:00.810 --> 00:00:03.129
What's going on, it's your boy Dwan Barino from
00:00:03.129 --> 00:00:06.089
Not Just Music Podcast. Let's pick up from last
00:00:06.089 --> 00:00:08.250
week. You remember that vocal chain I was showing
00:00:08.250 --> 00:00:10.789
y 'all? Let's put it in action this week in a
00:00:10.789 --> 00:00:20.230
recording chain. Let's do it. Alright, simply
00:00:20.230 --> 00:00:23.929
put, let's get right back into it. I already
00:00:23.929 --> 00:00:31.039
have my vocal chain pulled up here. just so you
00:00:31.039 --> 00:00:37.420
see how i'm using this i'm actually using a bus
00:00:37.420 --> 00:00:42.920
channel to bus it into my vocal channel that
00:00:42.920 --> 00:00:47.579
i'm using here so as you can see what i showed
00:00:47.579 --> 00:00:51.340
you all last week is right here in this folks
00:00:51.340 --> 00:00:56.579
chain as you see it's pulled up got the compressor
00:00:58.280 --> 00:01:07.599
got an eq and i have the vx64 also i'm the reason
00:01:07.599 --> 00:01:12.340
why i'm bussing this into my vocal channel is
00:01:12.340 --> 00:01:17.420
so i'll have the option for pre and post as you
00:01:17.420 --> 00:01:23.540
see i have pre and post set for vocal chain reverb
00:01:23.540 --> 00:01:28.700
and delay And these are going to be to my advantage
00:01:28.700 --> 00:01:32.040
in many ways as you will hear in a second. So
00:01:32.040 --> 00:01:38.299
let's try this out. All right. All right. Let's
00:01:38.299 --> 00:01:40.439
test it out. Got the mic going over here now.
00:01:41.680 --> 00:01:44.799
Inside of sonar. I'm sure y 'all hear the reverb
00:01:44.799 --> 00:01:49.579
and the delay and my vocal chain. So let's see
00:01:49.579 --> 00:01:54.739
what it sounds like. Here we go. Here we go.
00:02:13.799 --> 00:02:17.060
It wasn't perfect, but let's see how it sounds.
00:02:40.840 --> 00:02:44.580
As you can hear, it does a big world of a difference.
00:02:45.539 --> 00:02:50.139
So one of the biggest things I'm learning is
00:02:50.139 --> 00:02:55.020
you could do a lot within the box. Sonar does
00:02:55.020 --> 00:02:58.849
a lot for us. We just, you know, we. Some of
00:02:58.849 --> 00:03:02.930
us just refuse to use what we have here. Let's
00:03:02.930 --> 00:03:05.009
check it out. I mean, let's check out the compressor,
00:03:05.250 --> 00:03:09.689
what I'm doing here. Not doing too much. Got
00:03:09.689 --> 00:03:11.870
a little bit of the threshold rolling off a little
00:03:11.870 --> 00:03:16.430
bit with a knee in the decibels of 10 decibels.
00:03:17.930 --> 00:03:23.009
Ratio basically three to one. And like I said,
00:03:23.090 --> 00:03:25.150
I'm lightly compressing. I'm not even hitting
00:03:25.150 --> 00:03:28.599
it really hard at all. Just added a little bit.
00:03:30.580 --> 00:03:34.639
Added three decibels around 10 hertz just to
00:03:34.639 --> 00:03:36.919
get that mic just a little bit more push, a little
00:03:36.919 --> 00:03:42.419
bit more boost behind it. Of course, the VX -64,
00:03:42.680 --> 00:03:48.740
only thing I really did with it was the EQ. I
00:03:48.740 --> 00:03:51.680
actually boosted at one point, but I took it
00:03:51.680 --> 00:03:55.840
away. But I usually boost maybe about a decibel.
00:03:56.280 --> 00:04:05.340
in a VX -64 so yeah yeah so again come up with
00:04:05.340 --> 00:04:09.379
your own way inside your own DAW your own recording
00:04:09.379 --> 00:04:11.740
chain it's really simple to do sometimes sometimes
00:04:11.740 --> 00:04:14.400
I think we just go a little bit too far but again
00:04:14.400 --> 00:04:17.620
your boy DeJuan Barino from Not Just Music Podcast
00:04:17.620 --> 00:04:21.839
come back next week hopefully to have KB here
00:04:21.839 --> 00:04:24.240
with me and we can really put this to action
00:04:24.750 --> 00:04:27.329
With actual rap vocals. Alright. Peace.