NJMP History Of Recording

This NJMP episode talks about our wild journey of recording music, which has always had its good moments and bad moments.
Start: We began recording in simple home spaces. We had lots of passion and creative freedom (good), but the equipment was cheap, we had technical problems, and the sound quality was low (bad). Funnily enough, these limits often caused "happy accidents" that shaped our early sound.
Moving to the Studio: Going to real professional studios meant great sound quality (good), but it brought the pressure of time and money (bad). We had to get over feeling stressed in the studio and learn to be disciplined and work well with others. This made our music much better.
Now: We mix things up. We use our home setup for demos to keep things relaxed and creative (good), and then we go to professional studios for the final, polished sound (good). The main "bad" part today is having too many digital choices, which leads to "over-thinking" and spending too much time changing small details.
Final Thought: Our recording story is a continuous back-and-forth—struggle and success—and that's what makes our music sound unique.
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WEBVTT
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What's going on good people not just needs a
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podcast in a building another day How's everything
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going on that end of the world sir What's happening
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man? What's happening bless bless man? How you
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doing, bro? Good good good. I Have one thing.
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I just want to talk about real quick y 'all It's
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not gonna be long get out the way it is to get
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this off my brain enough out of my out of my
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sight I've seen a couple I've actually heard
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a few audio situations containing and pertaining
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to the situation with how we understand the business
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to be as far as when it becomes independent in
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a very strange way. for those who are coming
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in and for those who are and have been here,
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right? So I wanna ask a question here shortly,
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but I'm gonna just give an example of what I
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mean by this. So you may have a common artist
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who, let's just say I'm 17 years old. I'm just
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not starting music. I got an idea of what I think
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I want to be, you know, just the idea, right?
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I get going, you know, and, you know, I find
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out that first off, I don't understand anything
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about recording music. I don't understand anything
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about mixing and mastering. I don't understand
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any of that, right? Only thing I know is, is
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I've heard a finished product and I know that
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I love the way that it sounds. And I've seen,
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you know, all of these rappers, all of these
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singers, all of these entertainers, you know,
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they look wonderful. You know, they have on these
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nice clothes, these nicer blah, blah, blah, blah.
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Then you have some instances of this where, you
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know, the realness starts to set in when the
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work starts to take place. So you find out and
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you figure out these things that you need to
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get to that. Finished piece it kind of changes
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the course of things right now Now things have
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changed as I say how recording process has changed
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over the years Now it's become slightly easier
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But with that slightly easier, there's one big
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roadblock that gets you in a place Where it can
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be, you know mentally draining and that is the
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business part. But there's a lot of pieces of
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the business part that go along with this. Now,
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this is not gonna be like a one, we ain't talking
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about just one piece of the business part, but
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there's a lot of pieces of the business part
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that, you know, make this a very big picture.
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And these conversations need to be had more.
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And I see that there's a dream and there's also
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a reality. So reality, let me ask you. Reality
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tells you, and then reality has set in with you.
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I asked you a couple of podcasts ago about the
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situation where, you know, do you have a producer
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on hand? Do you have such on hand, blah, blah,
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blah, right? Okay, now we're past that point
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now, right? Now, to be in this music thing, we
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love music or we... Just like it Do you feel
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that the independent artist is Supposed to be
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respected more or do you still rely on? How good
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music really should be is my first question.
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Let me ask that do you do you still feel that
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there's a That you still have to be good at doing
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this now. You just can't be just some Any old
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thing as music or do you feel that this you have
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to be good? I'm gonna give you my I can't speak
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for everybody. I'm gonna give you my take So
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so when I started music I didn't know none of
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like I didn't really know nothing about music
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I was going in all I knew is I knew how to write
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I like but the structuring of the song I had
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to kind of like flow with that learn that on
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my own Like the producer that I worked with,
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beats were nice, but the mixing mastering of
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my songs wasn't that good, but they were still
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good quality. So I had to learn a lot as I went
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on, you know what I'm saying? Like as I grew.
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So I understand that part. A lot of people that
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get into it, artists that get into it, you're
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going to make some mistakes in the beginning.
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You know what I'm saying? Like the best way that
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I learned was trial and error. That was my case.
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I can understand artists that go through that,
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because when you really don't have anybody teaching
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you the game, that's the only way you're going
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to learn is just to do it. And just so happened,
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I remember I told you I was going and having
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fun. It was something I love to do. So when you're
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going in there doing it for fun, you're not really
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thinking about the business for one. You're not
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thinking about after you release that song, the
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work is going to be. Put it had to be put into
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it when you first start out You're not even really
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thinking about the Sun you going in there just
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Recording rapping singing doing your best ability
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and leaving it to the producers not knowing what
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to hear what you need to hear What it should
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sound like this and it that was my case in the
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beginning. Um so one thing that I did I got a
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song called learn song and this was like my change
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with uh pressing blackwell like when I recorded
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learn song he actually recorded it because prior
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to that song it was more like a lot of for the
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girl music for the you know i'm saying the swag
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lifestyle that I was living and stuff like that
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but learn song is kind of like a gospel uh positive
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route you know reality route real music which
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with Define me who I am now as an artist and
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entertainer and as a man period, you know I'm
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saying so I say all that to say when you start
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out in this game like you gonna have some trials
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and errors in the beginning know I'm saying but
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my case Experience was the best lesson But like
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you said things have changed and you have people
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more advanced producers more advanced. It's 2026
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I was talking about 2015, 2014, when I was doing,
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you know what I'm saying? So from 2014 to 2026,
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things have changed. You know what I'm saying?
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Music has changed. Producers have changed. So
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it's more help out there now. You know what I'm
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saying? I know we always used to say, because
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I'm a 90s baby, but you always tell me, boy,
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y 'all got it easy. You know what I'm saying?
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Y 'all had it. Y 'all got it easy compared to
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the 90s and the 80s. You know what I'm saying?
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Y 'all, you know what I'm saying? And I'm looking
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at this generation, like, y 'all got way more
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help than we did. Like, you know, them 90s babies,
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you know, and producers that's really understanding
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and wanting to work with you, you know, and the
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whole team. So most of us, I had to, they put
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me out there to swim. You know, first thing.
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And the day it is. See, this is the part, right?
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There's a story behind every artist. And I had
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a talk with my cousin. Maybe, I think we stayed
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on the phone about an hour and 20 minutes. Not
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too long. Not too long before we got going. And
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one thing, we talked about is the artistry as
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a whole, you know? What you just explained to
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me is a very big piece of music. And I felt that
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was important. I felt that was important. That's
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why I started out saying I wanted to use my experience.
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Everybody has an experience with music and that
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in itself is why there's only less than one percentile
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considerably that's considered great at music
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because the detail that is behind it. Now, I
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was basically asking, you have a singer, right?
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Or you have a rapper. You answered this question
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slightly last time, but I'm gonna ask it a little
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differently. How good is music supposed to be
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in your mind, in your feelings, in your opinion?
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What is it about a hit song? What is gonna be
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considered a hit song to you? Because I wanna
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break down the different aspects of why some
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songs actually become hit songs. and why the
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songs that we may feel as artists should be a
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hit song. Because there's different opinions
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that come along. So what is your opinion on the
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song that makes it a hit? Well, OK, for one,
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going back to what I said, I think a lot of...
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I ain't going to say I got a lot of bad songs.
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No, I ain't going to say that. I'll say some
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of the bad songs that I have Made me understand
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a great song that I make now that I in my catalog
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like you can tell the production For example,
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you can tell the slack of production on one song
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that could have been better not saying it's horrible
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But could have been better or the vocals could
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have been louder or this or that, you know I'm
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saying that's that's experience. So that's one
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way I know I got a hit on my hand from experience
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what I know what I've heard from then to now,
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you know what I'm saying? You gotta be a fan
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of your own music. You gotta have an ear for
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your own music. For two, if it's something, be
00:11:01.960 --> 00:11:04.000
your biggest fan. Like if it's something that
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you can sing all the time, you singing it, you
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singing your song all the time, it's a hit. Like
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a lot of my songs... I rap on my single my word
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for word like you you notice like even when I
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perform I don't need no backtracks like take
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that backtrack Oh, I'm a word this out word for
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word like let y 'all feel this cuz I feel it
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So you got to feel your own music when you feel
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it, you know, it's a hit No, I'm saying be a
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fan of your own music You know if you're not
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a fan of it If you ain't rocking with it like
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you singing these other rapper songs or these
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other single song. It ain't a hit most likely
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I'ma just be honest like you got to feel it.
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It's something you got to feel in you like oh,
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yeah this that one like when we made panic me
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and you I Knew it was the one I was like all
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this gonna be the hit remember I was in the studio
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saying it I don't care like it's gonna be it
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and I will vibe into it and look what you know
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Perform that song in Africa and everything Africa
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was dealing with it all it round globally so
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you got to be a fan of your own music and I think
00:12:11.169 --> 00:12:14.690
after that, the reception of what, you know,
00:12:14.909 --> 00:12:19.409
what people get from it is what you feel. Firstly,
00:12:19.570 --> 00:12:23.409
I feel and how how you back that record and promote
00:12:23.409 --> 00:12:25.929
that record, because if you believe in that records,
00:12:25.970 --> 00:12:27.950
you're going to promote it to the best ability
00:12:27.950 --> 00:12:31.669
that you can, which will help the audience and
00:12:31.669 --> 00:12:35.389
them love it. You know what I'm saying? And this
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is this is the piece right here where I think
00:12:41.620 --> 00:12:51.259
a lot of underprivileged and maybe inexperienced
00:12:51.259 --> 00:13:01.399
artists have a delusion. Let me give you the
00:13:01.399 --> 00:13:04.379
reason of what he just basically handed down.
00:13:04.399 --> 00:13:11.419
And this is why you can't... Let me make the
00:13:11.419 --> 00:13:17.200
team make sense now. Having a team has to be
00:13:17.200 --> 00:13:22.419
implemented in your independent life in some
00:13:22.419 --> 00:13:25.820
kind of manner. It doesn't, your independency
00:13:25.820 --> 00:13:30.639
of what you're trying to do. And this is like
00:13:30.639 --> 00:13:32.039
basically what I was getting to in the beginning.
00:13:32.500 --> 00:13:36.470
You can crash out easily. You will... get to
00:13:36.470 --> 00:13:39.649
a point where you cannot do it anymore because
00:13:39.649 --> 00:13:43.409
due to all of what is going on and the reason
00:13:43.409 --> 00:13:48.710
why I wanted him to cue to talk about a few things
00:13:48.710 --> 00:13:53.169
was just so you can hear a story of somebody
00:13:53.169 --> 00:13:57.950
that's actually been or has been doing it. So
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there are things and I'm going to be open to
00:14:06.129 --> 00:14:09.590
actually have a few people that I want to actually,
00:14:10.049 --> 00:14:11.710
and this is something that I really should do.
00:14:12.129 --> 00:14:15.370
I really want to ask a couple other individuals
00:14:15.370 --> 00:14:18.970
to come and talk on this too, because I don't
00:14:18.970 --> 00:14:23.509
want these stories to like really not be heard.
00:14:23.549 --> 00:14:27.529
I think we don't hear enough of the background
00:14:27.529 --> 00:14:32.009
of an independent artist. So, let me, let me,
00:14:32.009 --> 00:14:34.990
let me, Can I add this in? Can I add this in?
00:14:35.110 --> 00:14:37.370
A lot of the songs, a lot of my older songs,
00:14:37.590 --> 00:14:41.149
man, a lot of people love my older songs more
00:14:41.149 --> 00:14:42.590
than I love, you know what I'm saying? They'll
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go back and listen to my older songs and be like,
00:14:45.129 --> 00:14:47.690
oh, that's hot. Like the very first song I did
00:14:47.690 --> 00:14:50.070
was a song called First Time. They love that
00:14:50.070 --> 00:14:52.850
song. It's a party song. This can be your first
00:14:52.850 --> 00:14:55.529
time, your first time. Like, you know, first
00:14:55.529 --> 00:14:58.950
song I ever recorded and people love that song,
00:14:59.149 --> 00:15:01.789
man. But when I was going in, I was just having
00:15:01.789 --> 00:15:05.990
fun. And that's what I stated on previous episode
00:15:05.990 --> 00:15:09.129
like you got to have fun doing it too because
00:15:09.129 --> 00:15:13.570
music is is weird man like at one minute that
00:15:13.570 --> 00:15:17.470
song might not be hot then You never know a season
00:15:17.470 --> 00:15:19.789
might come and it just that's the that's what
00:15:19.789 --> 00:15:21.809
they want to hear That's the song type of song
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they want to hear You know I'm saying so I will
00:15:24.850 --> 00:15:28.549
add this in be you be original be organic stop
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trying to do what Everybody else is doing at
00:15:32.789 --> 00:15:37.070
that time stick to who you are and what you believe
00:15:37.070 --> 00:15:40.450
in Because it's gonna be a time and a place for
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everybody everybody got a time and a place for
00:15:42.610 --> 00:15:45.250
everything Long as you play your position is
00:15:45.250 --> 00:15:47.950
and play your role I feel and that's all that's
00:15:47.950 --> 00:15:50.529
what I've done since I started since I got you
00:15:50.529 --> 00:15:53.409
know got into this game of entertainment period
00:15:53.409 --> 00:15:56.990
just remain being Quincy Murdock and Whatever
00:15:56.990 --> 00:15:59.610
came to me came to me was a blessing. You know
00:15:59.610 --> 00:16:01.980
I'm saying And that's how I look at it. Like
00:16:01.980 --> 00:16:05.539
if it was meant for me, I got it. And I'm still
00:16:05.539 --> 00:16:07.720
growing. So it ain't over here. I ain't talking
00:16:07.720 --> 00:16:09.840
like it's over. But yeah, I'm sorry. I wanted
00:16:09.840 --> 00:16:11.799
to add that in. What's going on? It's your boy,
00:16:11.820 --> 00:16:14.700
Duann Barrino from Not Just Music podcast. I
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to morelabs .com, right? Peace It's not uh Our
00:17:17.440 --> 00:17:23.500
roads to success is not based on just the music
00:17:23.500 --> 00:17:32.000
alone. I don't think any situation of song is
00:17:32.000 --> 00:17:37.900
promised any glorious road. I mean, you have
00:17:37.900 --> 00:17:42.160
people who are consuming it are the ones who
00:17:42.160 --> 00:17:44.420
really are going to make the song be what it
00:17:44.420 --> 00:17:50.410
is. So as far as. What I see songs, you know,
00:17:50.509 --> 00:17:57.910
to be. You have to take an idea. And. Run it
00:17:57.910 --> 00:18:00.950
in a direction, even if it's not a thing of saying
00:18:00.950 --> 00:18:04.390
like, you know, it will be a hit immediately.
00:18:05.289 --> 00:18:11.650
But the case of every song has its place. If
00:18:11.650 --> 00:18:16.579
it's done correctly, it will have its. Don't
00:18:16.579 --> 00:18:22.740
never take your song to just one individual.
00:18:23.279 --> 00:18:27.779
Never do that. Make sure it touches as many hands
00:18:27.779 --> 00:18:31.200
as possible. Make sure it gets as many yeses
00:18:31.200 --> 00:18:34.799
and nos as possible. Cause see, this is the case
00:18:34.799 --> 00:18:39.359
with music. There are a lot of yeses. There are
00:18:39.359 --> 00:18:42.839
a lot of nos. And honestly, it probably would
00:18:42.839 --> 00:18:45.440
be more nos. than anything. And I'm gonna give
00:18:45.440 --> 00:18:47.940
you an example of what I mean by that. Short
00:18:47.940 --> 00:18:51.660
hand. And we were talking about this to Motown,
00:18:51.759 --> 00:18:53.980
you got people like Berry Gordy, right? Every
00:18:53.980 --> 00:18:57.680
group that Berry Gordy had wasn't a hit. Every
00:18:57.680 --> 00:19:01.319
songwriter that Berry Gordy had possession of
00:19:01.319 --> 00:19:06.140
or hands on with wasn't a hit writer. Every producer,
00:19:06.359 --> 00:19:09.720
I mean, every song that the band created and
00:19:09.720 --> 00:19:11.859
everything was come together and finished, it
00:19:11.859 --> 00:19:15.670
wasn't always a hit. But one thing that he did
00:19:15.670 --> 00:19:20.789
have is the work ethic That's what you cannot
00:19:20.789 --> 00:19:25.289
buy You cannot buy work ethic work ethic. We've
00:19:25.289 --> 00:19:28.089
talked about this many times And it's hard to
00:19:28.089 --> 00:19:30.250
do and it's hard to do it when you don't see
00:19:30.250 --> 00:19:37.829
the results That's another podcast. Don't even,
00:19:37.829 --> 00:19:40.490
don't even, I already had, don't, don't, don't,
00:19:40.490 --> 00:19:44.630
don't. I say that'd be another time. You can't,
00:19:44.630 --> 00:19:49.890
you can't, you can't. The position of, the position
00:19:49.890 --> 00:19:53.730
of what you get to is you can work yourself into
00:19:53.730 --> 00:19:56.470
a point where you get to failure and you feel
00:19:56.470 --> 00:19:59.920
like you're a failure, but. understanding when
00:19:59.920 --> 00:20:02.640
you get to that point is a whole different conversation
00:20:02.640 --> 00:20:06.440
that we gotta have. But as of today, understanding
00:20:06.440 --> 00:20:10.460
that that part where you're feeling like, oh
00:20:10.460 --> 00:20:12.539
yeah, yeah, this is it, this the one. That's
00:20:12.539 --> 00:20:16.420
what you're supposed to feel. But there's a point
00:20:16.420 --> 00:20:19.759
in there though, where pieces of it, like he
00:20:19.759 --> 00:20:23.960
just said, where the no's come in and the ones
00:20:23.960 --> 00:20:27.400
that are like, okay, well. No, you know, yeah,
00:20:27.400 --> 00:20:29.359
we don't understand this. We don't understand
00:20:29.359 --> 00:20:33.220
that music. That part. I'm dealt with it. That's
00:20:33.220 --> 00:20:35.799
the part. That's the part. That's the parts that
00:20:35.799 --> 00:20:40.400
can considerably tear everything apart. But we'll
00:20:40.400 --> 00:20:42.740
talk about that next time. Now, knowing knowing
00:20:42.740 --> 00:20:44.859
what we're talking about, I'm just basically
00:20:44.859 --> 00:20:51.960
giving pieces of the what is going on with music
00:20:51.960 --> 00:20:55.049
and. how history took it in. You mean, look at
00:20:55.049 --> 00:20:57.809
all these producers from our history. You know,
00:20:58.049 --> 00:21:00.230
Prince, not every song Prince made was a hit.
00:21:00.609 --> 00:21:03.670
Not every song that Teddy Riley was dealing with
00:21:03.670 --> 00:21:07.049
with artists was a hit. Not all of these, you
00:21:07.049 --> 00:21:10.089
know, Tank, let's even bring, you talking about
00:21:10.089 --> 00:21:12.710
Tank. Not every song that Art Kelly had was a
00:21:12.710 --> 00:21:14.990
hit. Come on, let's get, let's get even more
00:21:14.990 --> 00:21:18.230
modern. You got people, producers now putting
00:21:18.230 --> 00:21:21.250
out music. Metro Boomer, not every song he puts
00:21:21.250 --> 00:21:24.230
out as a hit. 21 Savage, I mean he's the rapper
00:21:24.230 --> 00:21:26.890
but not every song he puts out is a hit. Zay
00:21:26.890 --> 00:21:29.650
Tovin, not every song he's gonna put out is a
00:21:29.650 --> 00:21:33.109
hit. My boy Future. Future. Future. Not every
00:21:33.109 --> 00:21:35.210
song. That's my boy though. Future. But look
00:21:35.210 --> 00:21:38.250
at the work ethic. They keep going. That's what
00:21:38.250 --> 00:21:41.170
I'm saying. The work ethic that these fools got.
00:21:41.240 --> 00:21:45.220
is undeniable. They don't get paid to keep going.
00:21:45.559 --> 00:21:48.900
They get paid to do shows. They get paid from
00:21:48.900 --> 00:21:51.099
royalties. Yeah, but they don't get paid for
00:21:51.099 --> 00:21:54.319
the work ethic. The work ethic? Man, look, the
00:21:54.319 --> 00:21:57.660
biggest part of this, what we have to understand.
00:21:57.960 --> 00:22:02.200
Motivational, man. You have to have work. Ethic
00:22:02.200 --> 00:22:05.980
it will not just drop in your lap. So if you're
00:22:05.980 --> 00:22:09.940
in if you're in the position right now and You're
00:22:09.940 --> 00:22:11.619
like thinking like yeah, man. I'm ready to get
00:22:11.619 --> 00:22:13.279
going this music ready to go with this music
00:22:13.279 --> 00:22:16.119
Remember don't come in this for likes don't come
00:22:16.119 --> 00:22:18.480
in this for money Don't come in this for any
00:22:18.480 --> 00:22:20.519
other if you're not coming in this for the love
00:22:20.519 --> 00:22:22.559
of it And I'm gonna be honest to this is something
00:22:22.559 --> 00:22:26.380
else my cousin said the music will know when
00:22:26.380 --> 00:22:30.430
you're not genuine the music will know when you're
00:22:30.430 --> 00:22:33.230
not genuine. Meaning the music is not going to
00:22:33.230 --> 00:22:36.009
reward you if the music ain't coming from a genuine
00:22:36.009 --> 00:22:38.049
place. So if you're looking to just jump in this
00:22:38.049 --> 00:22:40.869
for the music and for the fame, guess what? The
00:22:40.869 --> 00:22:42.630
music is going to beat you up before you even
00:22:42.630 --> 00:22:44.789
get to that point. Excuse my language. That's
00:22:44.789 --> 00:22:46.690
why I always tell you, I stay my ass out the
00:22:46.690 --> 00:22:51.230
studio until I'm ready. Listen, I stay my ass
00:22:51.230 --> 00:22:53.789
out the studio until I'm ready. Because like
00:22:53.789 --> 00:22:56.470
I say, I don't believe, like you say, work ethic,
00:22:56.509 --> 00:22:59.529
yeah. Mm -hmm. We want to push that have a strong
00:22:59.529 --> 00:23:02.950
work ethic, but have a good quality mindset to
00:23:02.950 --> 00:23:06.430
know that you want just put Just anything out
00:23:06.430 --> 00:23:09.029
there like have a work ethic. I had a quality
00:23:09.029 --> 00:23:11.509
behind it, too You know I'm saying don't go in
00:23:11.509 --> 00:23:14.410
there half -stepping go in there thinking. Nah,
00:23:14.509 --> 00:23:16.589
this is it That's how I've always felt about
00:23:16.589 --> 00:23:20.029
all my songs like Hey, it might not been it to
00:23:20.029 --> 00:23:22.109
them, but it was it to me. You know I'm saying
00:23:22.109 --> 00:23:25.369
this was it. Hey, that's how you got feel and
00:23:25.369 --> 00:23:28.069
you don't feel that fit how that feeling You
00:23:28.069 --> 00:23:29.710
slacking. You ain't doing something right. Strike
00:23:29.710 --> 00:23:34.269
while the iron is hot. Again, don't do it off
00:23:34.269 --> 00:23:38.029
of just your ego. Strike when the iron is hot.
00:23:38.069 --> 00:23:41.069
That's basically when you do it. Don't be a dummy.
00:23:41.450 --> 00:23:44.190
Again, don't be a dummy to none of this. The
00:23:44.190 --> 00:23:46.410
music will beat you every single time. The music
00:23:46.410 --> 00:23:50.029
is going to win. We'll never be able to conquer
00:23:50.029 --> 00:23:53.650
music. So the only thing we can do is conquer
00:23:53.650 --> 00:23:57.069
the things that it takes to create it. And get
00:23:57.069 --> 00:24:00.069
it to the people but the music is still going
00:24:00.069 --> 00:24:03.269
to be the the one who wins in the end So basically
00:24:03.269 --> 00:24:06.049
it again if it ain't if it's trash like you said
00:24:06.049 --> 00:24:08.890
in the beginning if your music if you know You'll
00:24:08.890 --> 00:24:10.829
know the difference between trash and you'll
00:24:10.829 --> 00:24:13.920
know the difference between good as you're starting
00:24:13.920 --> 00:24:17.140
to process music and listen to it and, you know,
00:24:17.279 --> 00:24:19.240
sit around and let me say this, it ain't, it
00:24:19.240 --> 00:24:21.200
ain't, it ain't necessary gotta be trash. It
00:24:21.200 --> 00:24:23.420
could be just, it could be a slight off. It could
00:24:23.420 --> 00:24:27.819
be slightly off. Yeah. Yeah. You would know you,
00:24:27.940 --> 00:24:29.900
that's why I said you, you might've had some
00:24:29.900 --> 00:24:32.700
great songs. Like you say it might have been
00:24:32.700 --> 00:24:34.900
something out on your end like production or
00:24:34.900 --> 00:24:37.119
something like, you know You might the beat could
00:24:37.119 --> 00:24:39.799
have been a little this or that This could have
00:24:39.799 --> 00:24:42.539
been turned up a little nicer this and that like
00:24:42.539 --> 00:24:45.519
it was still a nice song But it's still when
00:24:45.519 --> 00:24:48.619
you get that great song you gonna know the difference
00:24:48.619 --> 00:24:50.799
You know I'm saying when you get that we get
00:24:50.799 --> 00:24:53.720
that hit and that's what I was saying I don't
00:24:53.720 --> 00:24:56.819
feel like I have a bad song. I have some songs
00:24:56.819 --> 00:24:59.759
that could have been better But I don't feel
00:24:59.759 --> 00:25:02.619
like they're horrible songs, you know I'm saying
00:25:02.619 --> 00:25:05.180
not on my end because I came with it all the
00:25:05.180 --> 00:25:08.240
time And that's what you want to do as an artist
00:25:08.240 --> 00:25:11.720
leave it all on the field We don't leave nothing
00:25:11.720 --> 00:25:14.920
behind leave it all in the studio in this turn
00:25:14.920 --> 00:25:17.859
Leave it all in the studio and lead a studio
00:25:17.859 --> 00:25:21.900
knowing you did your part as an artist Can't
00:25:21.900 --> 00:25:24.559
control what everybody else do you did your part
00:25:24.559 --> 00:25:26.940
and that's all you can do. You know I'm saying
00:25:27.639 --> 00:25:30.119
But still have that ear man, you know and be
00:25:30.119 --> 00:25:33.420
involved in your music also and tell these producers
00:25:33.420 --> 00:25:35.680
what you want And you know saying that's what
00:25:35.680 --> 00:25:38.220
I that's what I do now back then I didn't do
00:25:38.220 --> 00:25:40.640
that now I do it, you know I'm saying when I
00:25:40.640 --> 00:25:44.180
got advanced, but yeah, I'm sorry man. We could
00:25:44.180 --> 00:25:48.680
talk all day about this man. I'm sorry man. We
00:25:48.680 --> 00:25:55.039
Remember to get help don't ever That's what the
00:25:55.039 --> 00:25:58.839
leading part to being great is getting help,
00:25:58.920 --> 00:26:01.380
and you're not going to be great by yourself.
00:26:01.700 --> 00:26:04.519
So you better learn, and if nothing else, again,
00:26:05.460 --> 00:26:07.619
to learn business. There's nothing wrong with
00:26:07.619 --> 00:26:09.640
learning business, because the more you learn
00:26:09.640 --> 00:26:14.299
business, the better off an artist or brand you
00:26:14.299 --> 00:26:16.940
will be. Because in the case of, there's a lot
00:26:16.940 --> 00:26:20.599
that comes along with it that a lot of y 'all
00:26:20.599 --> 00:26:22.079
that's been doing it for years and years, and
00:26:22.079 --> 00:26:24.519
y 'all still haven't learned. I'm just being
00:26:24.519 --> 00:26:27.619
honest. I'm watching I see but a lot of y 'all
00:26:27.619 --> 00:26:31.460
still don't take it Serious enough and can I
00:26:31.460 --> 00:26:32.980
say something? I'm sorry, bro. You keep bringing
00:26:32.980 --> 00:26:35.480
up point broke before I met the wine burrito.
00:26:35.700 --> 00:26:41.319
I was a SoundCloud audio Mac uploader When I
00:26:41.319 --> 00:26:43.559
met the one first thing he told me y 'all wanna
00:26:43.559 --> 00:26:46.460
know get your website when I got that website,
00:26:46.500 --> 00:26:49.980
bro That autumn songs went on my website for
00:26:50.509 --> 00:26:52.930
Tune Corps was hit up. You know, I'm saying let
00:26:52.930 --> 00:26:56.849
me get some streams off this I became more business
00:26:56.849 --> 00:26:59.369
minded when I got with the one, you know I'm
00:26:59.369 --> 00:27:01.869
saying not saying I wasn't back there But I became
00:27:01.869 --> 00:27:04.470
more on my game and that's what the wine means
00:27:04.470 --> 00:27:07.309
by he always said every episode Get the help,
00:27:07.329 --> 00:27:11.190
you know and and God sent the right people For
00:27:11.190 --> 00:27:14.029
you at the right time, you know I'm saying so
00:27:14.029 --> 00:27:15.809
yeah, I just wanted to end it with that. I'm
00:27:15.809 --> 00:27:23.109
sorry, man Get your help, make an impact off
00:27:23.109 --> 00:27:26.269
of the help that you get. Learn from the help
00:27:26.269 --> 00:27:29.190
that you get because you don't wanna, you know,
00:27:29.549 --> 00:27:32.390
there are pieces to a puzzle that, you know,
00:27:32.609 --> 00:27:37.289
sometimes I think the puzzle can come to a close
00:27:37.289 --> 00:27:40.750
at times, but knowing the puzzle and knowing
00:27:40.750 --> 00:27:43.269
the plan and knowing how you want it built and
00:27:43.269 --> 00:27:46.500
everything. Make sure that it is a thing that
00:27:46.500 --> 00:27:49.819
you find and find it in your own way. Don't just
00:27:49.819 --> 00:27:51.980
say, don't just take everything that we're saying.
00:27:52.440 --> 00:27:54.759
These are just pieces to the puzzle again. These
00:27:54.759 --> 00:27:57.579
are pieces. So your puzzle into your picture
00:27:57.579 --> 00:28:00.420
and what it's going to take to, you know, those
00:28:00.420 --> 00:28:01.759
stepping stones that is going to take for you
00:28:01.759 --> 00:28:04.039
to get there, they're all available, all out
00:28:04.039 --> 00:28:06.480
here. And remember, just because you're not,
00:28:06.480 --> 00:28:08.859
you know, mainstream does not mean that you won't
00:28:08.859 --> 00:28:11.240
have a hit. You can have a hit song and it's
00:28:11.240 --> 00:28:13.240
not mainstream. The thing is, is understanding
00:28:13.240 --> 00:28:15.940
in your heart what it's going to take for that
00:28:15.940 --> 00:28:18.519
song to get to what you want it to be. And again,
00:28:18.579 --> 00:28:21.200
it's not just about just mainstream. There are
00:28:21.200 --> 00:28:24.440
bigger and better things than understanding music,
00:28:24.779 --> 00:28:27.140
than just understanding just mainstream. But
00:28:27.140 --> 00:28:29.519
then we'll talk about that and more and more
00:28:29.519 --> 00:28:31.920
next week. So you'll hear a couple of podcasts
00:28:31.920 --> 00:28:34.759
in between this, maybe one podcast in between
00:28:34.759 --> 00:28:37.500
this that won't pertain to that. but the one
00:28:37.500 --> 00:28:41.519
coming next Thursday will probably make sense
00:28:41.519 --> 00:28:46.079
of this in a short time. So till next time. All
00:28:46.079 --> 00:28:48.500
right, individuals, we love y 'all. Peace. Love.





